ianuarie 27, 2021

“Obsessed by a fairy tale,

 ...we spend our lives searching for a magic door and a lost kingdom of peace.” ― Eugene O'Neill

 “There is no present or future-only the past, happening over and over again-now.”
Eugene O'Neill,
A Moon for the Misbegotten 

The fog was where I wanted to be. Halfway down the path you can’t see this house. You’d never know it was here. Or any of the other places down the avenue. I couldn’t see but a few feet ahead. I didn’t meet a soul. Everything looked and sounded unreal. Nothing was what it is. That’s what I wanted—to be alone with myself in another world where truth is untrue and life can hide from itself. Out beyond the harbor, where the road runs along the beach, I even lost the feeling of being on land. The fog and the sea seemed part of each other. It was like walking on the bottom of the sea. As if I had drowned long ago. As if I was the ghost belonging to the fog, and the fog was the ghost of the sea. It felt damned peaceful to be nothing more than a ghost within a ghost.”

Eugene O'Neill, Long Day's Journey into Nigh

ianuarie 04, 2021

The logic of the concept tells us what?

 Deleuze would have turned his attention to the subject of education with some frequency, but in fact he dedicated only a small portion of his energies to this field. He did, however, devote a few passages of Difference and Repetition (1969) to the relationship between thought and learning that are especially suggestive.

 Let’s have Leibniz speak. Never has anyone witnessed so much calm in the presence of so much daring. He will explain that there is no indefinite. There is only an actual infinite. He will immediately define the individual as the concept; the individual is the concept. The individual is the concept insofar as its comprehension is infinite and its extension unity. A concept whose comprehension is actually infinite, you see it’s the actual infinite that allows him to say that. If he said: the individual is the concept whose comprehension is indefinite, that would make no sense. It’s because there is actual infinite everywhere according to Leibniz that this definition is possible. It was therefore impossible for the neo-Platonists who had no idea of the actual infinite.

ianuarie 01, 2021

paraphraser Deleuze

 Deleuze reads the Recherche as the record of an apprenticeship (apprentissagein French), or process of learning (French apprendre: to learn), and all learning, he asserts, proceeds via the interpretation of signs. “Everything that teaches us something emits signs; every act of learning is an interpretation of signs or hieroglyphs. Proust’s work is based not on the exposition of memory, but on the apprenticeship in signs” (Deleuze, 2000, p. 4). By “learning” Deleuze clearly does not mean the mere acquisition of any new skill or bit of information, but instead the accession to a new way of perceiving and understanding the world. To interpret signs is to overcome “stock notions,” “natural” or “habitual” modes of comprehending reality (ibid., p. 27).


iulie 03, 2019

Freudian or Jungian techniques

" novels of Henry James are psychological in that the crucial events occur in the souls of the protagonists, and it was perhaps James more than any serious novelist before or since who convinced frivolous novel-readers that the “psychological approach” guarantees a lack of action and excitement."

martie 25, 2019

critérium de Kant

« Mon credo en art : l’enfance. Arriver à la rendre sans aucune puérilité, avec sa profondeur qui touche les mystères. Mon livre futur sera un perpétuel va-et-vient insensible du rêve à la réalité. Rêve entendu comme l’immense et imprécise vie enfantine planant au-dessus de l’autre et sans cesse mise en rumeur par les échos de l’autre. »

august 15, 2017

Through portrayals

...In offering here an example of the way that books can offer a humane and individual appreciation of change, I simply wish to cast my vote in favor of a more literary approach. Understanding this human world in human terms is no small or frivolous task, and the role played by literature in that effort is not one to be taken lightly.

august 09, 2017

groundless supposition

The art of losing isn’t hard to master;
So many things seem filled with the intent
To be lost that their loss is no disaster.
Lose something every day. Accept the fluster
of lost door keys, the hour badly spent,
The art of losing isn’t hard to master.
Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

ianuarie 15, 2017

the idea of ‘levels’

'This hybridity is not just one of race, but also of all our cultural characteristics and is one of the reasons why the Scotsman David Hume commented that there was no such thing as a national character mixture in England. Americans, like all other civilisations, including English or Scots, are a ‘fiction’, as Daniel Defoe put it – we are all mongrels and mixes, bricolages and bundles. Our imagined communities are invented and constructed to make life tolerable and bear little relation to real ‘facts’. It is important to realise this before we essentialise our differences, which leads to a ghetto mentality, a need to wall and fence and repel the threatening ‘Other’ who is, in fact, probably a distant cousin of some kind.'

noiembrie 11, 2016


It's here they got the range
and the machinery for change
and it's here they got the spiritual thirst.
It's here the family's broken
and it's here the lonely say
that the heart has got to open
in a fundamental way:

iunie 08, 2016

mercurial French adolescent

Rimbaud: ‘En effet ils furent rois toute une matinée où les tentures carminées se relevèrent sur les maisons, et toute l’après-midi, où ils s’avancèrent du côté des jardins de palmes.’

Ashbery: ‘In fact they were regents for a whole morning as crimson hangings were raised against the houses, and for the whole afternoon, as they moved toward groves of palm trees.’

iunie 07, 2016

Wittgenstein’s Handles

...'This utility of handles had also caught the attention of the pioneering German sociologist Georg Simmel, but he thought utility was only half the story. In his brilliant 1911 essay “The Handle,” Simmel argued that the handle of a vase bridges two worlds, the utilitarian and the non-utilitarian. A vessel, according to Simmel, “unlike a painting or statue, is not intended to be insulated and untouchable but is meant to fulfill a purpose—if only symbolically. For it is held in the hand and drawn into the movement of practical life.” 
Thus the vessel stands in two worlds at one and the same time: whereas reality is completely irrelevant to the “pure” work of art and, as it were, is consumed in it, reality does make claims upon the vase as an object that is handled, filled and emptied, proffered, and set down here and there. This dual nature of the vase is most decisively expressed in its handle.'

aprilie 14, 2016


 Slate tiles gleaming with water,
Nests of sparrows rotting and trailing in the wind,
Night falling, and the winds turning
Umbrellas inside out…the rain wetting
The faces of the ladies returning