synthetic phase

'...Thus did Constantin Brancusi describe the ceaseless accrual of detail in the realist tradition in its terminal phases, immediately before its fracture by the movement that has come to be called modernism. So what was the alternative to such unfocusing proliferations? ‘Simplicity,’ said the Romanian sculptor, ‘is complexity resolved’. Not evaded then, but resolved. Such resolution required dynamic and expressive form, a form that could cut through the infinite attenuation of detail of late realism and naturalism. It occurred to the most radical artists of modernity that there was a precedent here: not their immediate precursors in the western artistic tradition, but those from ages before, who had not even been known as artists. The ‘primitives’, whose vision was unconstrained  by any protocols involving single vanishing-point perspective or three-dimensional illusionism.'

barbarous gold

'Cutting the lemon
the knife
leaves a little cathedral:
alcoves unguessed by the eye
that open acidulous glass
to the light; topazes
riding the droplets,
altars,
aromatic facades.'

contradictory features

'..., the essence of the modern world is that there is no defining infrastructure. Things fall apart, the centre cannot hold. Mere anarchy is not loosed upon the world, but certainly chaos and confusion is often there. Basically the four spheres of our life are constantly in productive tension – politics, religion, economy and society. So there is an everlasting struggle, with no sphere triumphant. In such a situation adults have to live in a world of endless compromise, of endless situations where the best is the enemy of the good, in an Einsteinian world of relativity where all principles can be bent by some other force. It is a Dirac or Schrödinger quantum world where a cat can be both alive and dead at the same time. It is a world perfectly caught by the Oxford mathematician Dodgson (Lewis Carroll) when he took a child, full of absolutes, into the magical world down the rabbit hole and through the looking glass..

figuratively

'An art, I believe, of which most male smokers are true masters only when either they don't care a hoot whether or not the butt goes into the basket or the room has been cleared of eyewitnesses, including, quite so to speak, the cigarette snapper himself. I'm going to try hard not to chew on that illustration, delectable as I find it, but I do think it proper to append - to revert momentarily to curb marbles - that after Seymour himself shot a marble, he would be all smiles when he heard a responsive click of glass striking glass, but it never appeared to be clear to him whose winning click it was. And it's also a fact that someone almost invariably had to pick up the marble he'd won and hand it to him.'

Ritournelle

Le Boléro n'est pas une pièce musicale comme les autres. Il est une prophétie. Il raconte l'histoire d'une colère, d'une faim. Quand il s'achève dans la violence, le silence qui s'ensuit est terrible pour les survivants étourdis

Französischer Garten

Duminícă

Wisdom is the power to put our time and our knowledge to the proper use.

(Thomas J. Watson)